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Paulette Goddard was an American film actress. She started her career as a child model and went on to become one of the most sought-after actresses during her career. Paulette was born as Pauline Marion Levy on 3rd June 1910, in Whitestone Landing, Queens, New York.
Her parents separated and later divorced in 1926, after which she was brought up by her mother. They had to move from New York to Canada to Kansas to escape her father’s custody.
She quit studies at an early stage to support her mother, briefly attending Mount Saint Dominic Academy at Caldwell, New Jersey, and Ursuline Academy at Pittsburgh, Pennsylvania.
She took up modeling at the age of just 10. This extremely ambitious beauty took to modeling at a delicate age of 10 to support her mother financially and in due time, ventured into acting and singing, thereby creating a niche for herself in the entertainment industry. Charles Goddard, her great-uncle, introduced her to Broadway.
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She earned her Broadway debut as a Ziegfeld dancer in the 1926 summer revue ‘No Foolin’ and later appeared in another revue ‘Rio Rita’ in 1927. Also, she played a small role in Archie Selwyn’s ‘The Unconquerable Male’. She moved to Hollywood in 1929 and made her screen debut as an extra in ‘Berth Marks’, ‘The Locked Door’, ‘The Girl Habit’, and ‘The Mouthpiece’.
In the year 1932, she characterized a Goldwyn Girl in Samuel Goldwyn’s ‘The Kid from Spain’. Later she united with Hal Roach, playing unnoticed supporting roles over the next few years. As she was determined to earn name and fame, she moved to Hollywood to try her luck in films.
After a series of unaccredited appearances in a couple of movies, she was cast as the leading lady in Charlie Chaplin’s last silent film ‘Modern Times’, which changed her life for good. Gradually, she started ascending to stardom and appeared in several hit movies during the 1940s – the most popular being ‘The Great Dictator’, ‘So Proudly We Hail!’
, ‘Kitty’, ‘The Diary of a Chambermaid’, ‘Unconquered’, and ‘Reap the Wild Wind’. This optimistic artist came to be a significant symbol not just for her highly-accredited roles, but also for her four marriages and her glamorous lifestyle.
She moved on to television during the mid-1950s, and appeared in ‘The Ford Television Theatre’, ‘Producers’ Showcase’, and television remake of ‘The Women’. She also toured in summer stock – ‘Waltz of the Toreadors’ and ‘Laura’.
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In the year 1964, she returned to the silver screen, playing a supporting role in the Italian production ‘Time of Indifference’, which happened to be her last film, although she played a small role in a made-for-TV film ‘The Snoop Sisters’ in 1972.
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